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Photo: Adrian Morillo Gonzalez
Plongez dans les couleurs contrastées de deux maîtres du romantisme allemand. Le trio de Schumann vous baigne d’abord dans un univers orné de rêverie insondable et de passion débridée. Les cordes y incarnant son âme tourmentée et le piano sa mélancolie pour vous faire naviguer dans toutes les strates de la pensée schumanienne. À la complexité tragique des sentiments mis en musique par Schumann répond la luminosité de Mendelssohn. Le plus classique des romantiques s'illustre en effet avec lyrisme et éclat dans ce trio considéré comme la quintessence de ses œuvres de musique de chambre.
Dive into the contrasting colours of two masters of German Romanticism. The Schumann trio first transports us to a dreamlike world, bursting with unbridled emotion. The strings conjure up his tormented soul, the piano invokes his melancholy as we navigate through all the layers of Schumann’s thoughts. This tragic complexity of feelings set to music by Schumann is answered by Mendelssohn's luminosity. The most classic of the Romantics reveals in this trio, considered to be the quintessence of his chamber music, a sparkling and lyrical brilliance.
Le Trio Fibonacci se réjouit de pouvoir accueillir le public à nouveau à la salle Bourgie le samedi 8 mai à 16h !
The Trio Fibonacci is delighted to be able to welcome the public once again to the Bourgie Hall on Saturday, May 8 at 4 p.m.!
Programme :
Félix Mendelssohn | Trio n° 1, op. 49
Robert Schumann | Trio n° 1, op. 63
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MUSIQUE
La Presse
“The Fibonacci’s brought this music to life with all the right notes of grandeur as well as joy and introspection.”
John Terauds, Musical Toronto
“The sparks flew from the young. Nowhere more so than in the Trio Fibonacci’s last-minute concert, in Blythburgh Church, of music by Jonathan Harvey. The hour of instrumental and taped music was one of the most memorable of the festival.”
The Times (UK)
"The interpretation was of the highest level ... what immense structural understanding they have ... The Trio Fibonacci played these pieces with precision and was gripping."
Frankfurter Allgemeine
CONTACT
Presse :
Guillaume De Pauw
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